https://elenazamparutti.com Elena Zamparutti copy Sun, 18 May 2025 14:32:02 +0000 https://elenazamparutti.com en https://elenazamparutti.com/Home-1 Sun, 18 May 2025 14:31:46 +0000 Elena Zamparutti copy https://elenazamparutti.com/Home-1 WE SEE WHAT WE DECIDE TO SEE https://elenazamparutti.com/La-boheme Sun, 18 May 2025 14:31:50 +0000 Elena Zamparutti copy https://elenazamparutti.com/La-boheme <img width="1867" height="1318" width_o="1867" height_o="1318" data-src="https://freight.cargo.site/t/original/i/f16d2671fab971af5967fb31bdfb2739497c423aa8ea4fa45a0b5074959c5650/aaaaaaaaa.jpg" data-mid="233359151" border="0" src="https://freight.cargo.site/w/1000/i/f16d2671fab971af5967fb31bdfb2739497c423aa8ea4fa45a0b5074959c5650/aaaaaaaaa.jpg" /> La bohème G. Puccini La bohème 2024 World Première&nbsp; Teatr Wielki w Łodzi /&nbsp; Łodz / Poland Composer / Giacomo Puccini&nbsp; Libretto / Giuseppe Giacosa e Luigi Illica, Conductor /&nbsp; Rafał Janiak Stage director / Marcin LakomickiSet designer / Elena Zamparutti&nbsp; Costume designer / Cristina Aceti &nbsp;Lighting designer / Irene SelkaVideo / Przemysław Jeżmirski Production /&nbsp; Teatr Wielki w Łodzi <img width="1419" height="991" width_o="1419" height_o="991" data-src="https://freight.cargo.site/t/original/i/3dbacb11245566904301f079cbf9632a48d7ae477a222447cca0f090f24c1aee/bbbb.jpg" data-mid="233359153" border="0" src="https://freight.cargo.site/w/1000/i/3dbacb11245566904301f079cbf9632a48d7ae477a222447cca0f090f24c1aee/bbbb.jpg" /> INSIDE OUR DREAMS <img width="1867" height="979" width_o="1867" height_o="979" data-src="https://freight.cargo.site/t/original/i/673413938eda156c4f28c8ebcca0e6ef40ffce6ee7d5d43aab77260713163d63/1-att.jpg" data-mid="233359154" border="0" src="https://freight.cargo.site/w/1000/i/673413938eda156c4f28c8ebcca0e6ef40ffce6ee7d5d43aab77260713163d63/1-att.jpg" /> E come vivo? Vivo! In povertà mia lieta scialo da gran signore rime ed inni d’amore, per sogni e per chimere e per castelli in aria l’anima ho milionaria. <img width="1441" height="1011" width_o="1441" height_o="1011" data-src="https://freight.cargo.site/t/original/i/7c513214a11cbce2bfafb323cc189b99067c943a46196eba8b9cd5c8a52504d0/ggt.jpg" data-mid="233359155" border="0" src="https://freight.cargo.site/w/1000/i/7c513214a11cbce2bfafb323cc189b99067c943a46196eba8b9cd5c8a52504d0/ggt.jpg" /> <img width="1876" height="1260" width_o="1876" height_o="1260" data-src="https://freight.cargo.site/t/original/i/d7a5c79f458679c58dd9297cbf1c83a65f5d3dae65613fb37d7312aa147bcb0d/pppppppppp.jpg" data-mid="233359163" border="0" src="https://freight.cargo.site/w/1000/i/d7a5c79f458679c58dd9297cbf1c83a65f5d3dae65613fb37d7312aa147bcb0d/pppppppppp.jpg" /> <img width="1434" height="937" width_o="1434" height_o="937" data-src="https://freight.cargo.site/t/original/i/5e260adb8bb3e1ef7a08b56da59f7f9d19033113a87e4c24bd0fff52e687296a/xcv.jpg" data-mid="233359156" border="0" src="https://freight.cargo.site/w/1000/i/5e260adb8bb3e1ef7a08b56da59f7f9d19033113a87e4c24bd0fff52e687296a/xcv.jpg" /> A SILVER WORLD&nbsp; COMES TO US <img width="1387" height="985" width_o="1387" height_o="985" data-src="https://freight.cargo.site/t/original/i/92c2f64b18afb6d49b0296b1b096da88b140c203eef0eb3f11ed12d15d3ec1be/mnbvmb.jpg" data-mid="233359162" border="0" src="https://freight.cargo.site/w/1000/i/92c2f64b18afb6d49b0296b1b096da88b140c203eef0eb3f11ed12d15d3ec1be/mnbvmb.jpg" /> <img width="1428" height="1000" width_o="1428" height_o="1000" data-src="https://freight.cargo.site/t/original/i/45dadf90c8f6febde338210544027d3680cf4bc51e4cf14fc3121d47ce7cdf5d/PLO.jpg" data-mid="233359157" border="0" src="https://freight.cargo.site/w/1000/i/45dadf90c8f6febde338210544027d3680cf4bc51e4cf14fc3121d47ce7cdf5d/PLO.jpg" /> <img width="1435" height="1017" width_o="1435" height_o="1017" data-src="https://freight.cargo.site/t/original/i/056c21c39fc4d0cac6d2357b2537cd81538341b86136a089c5b39c2f09c57e47/RD.jpg" data-mid="233359158" border="0" src="https://freight.cargo.site/w/1000/i/056c21c39fc4d0cac6d2357b2537cd81538341b86136a089c5b39c2f09c57e47/RD.jpg" /> Now the walls are broken, my loneliness invades the whole space <img width="1435" height="955" width_o="1435" height_o="955" data-src="https://freight.cargo.site/t/original/i/3dc673733d41916df61c900cf8a7831389f6c7e58c6d01bcd2a9e55772ecdb44/cccc.jpg" data-mid="233359159" border="0" src="https://freight.cargo.site/w/1000/i/3dc673733d41916df61c900cf8a7831389f6c7e58c6d01bcd2a9e55772ecdb44/cccc.jpg" /> <img width="1426" height="957" width_o="1426" height_o="957" data-src="https://freight.cargo.site/t/original/i/9aa297a2f77121b3c6116a919c6834f5f9ce0c5ec8d53910cc6caf94b46aaafe/ploll.jpg" data-mid="233359160" border="0" src="https://freight.cargo.site/w/1000/i/9aa297a2f77121b3c6116a919c6834f5f9ce0c5ec8d53910cc6caf94b46aaafe/ploll.jpg" /> and at the end she embraces me&nbsp; <img width="1428" height="1009" width_o="1428" height_o="1009" data-src="https://freight.cargo.site/t/original/i/89237eb59ac9a3ebbb76e83d7203c3ebc50d9bca97df88da7b7bdf6c7929f10d/kk.jpg" data-mid="233359161" border="0" src="https://freight.cargo.site/w/1000/i/89237eb59ac9a3ebbb76e83d7203c3ebc50d9bca97df88da7b7bdf6c7929f10d/kk.jpg" /> Photo credit ©&nbsp; Joanna Miklaszewska https://elenazamparutti.com/Trouble-in-Tahiti Sun, 18 May 2025 14:31:52 +0000 Elena Zamparutti copy https://elenazamparutti.com/Trouble-in-Tahiti <img width="1920" height="1200" width_o="1920" height_o="1200" data-src="https://freight.cargo.site/t/original/i/2d08ab366db9b5ba347fc4f6f820e11b3ac263be600e823dcb296cfa6623be8a/MOD_Trouble-in-TahitiMiguel-Lorenzo-y-Mikel-Ponce_LesArts--35.jpg" data-mid="233359189" border="0" src="https://freight.cargo.site/w/1000/i/2d08ab366db9b5ba347fc4f6f820e11b3ac263be600e823dcb296cfa6623be8a/MOD_Trouble-in-TahitiMiguel-Lorenzo-y-Mikel-Ponce_LesArts--35.jpg" /> Trouble in Tahiti+ Clemency Winner of the Dutch Opera Design Award 2017 Trouble in Tahiti 2022 Les Arts / Valencia&nbsp; Composer / Leonard BernsteinConductor / Jordi FrancésStage director / Ted HuffmanSet designer / Elena Zamparutti&nbsp; Costume designer / Gisella Cappelli&nbsp; Lighting designer / Alex BrokVideo / Pierre Martin OriolChoreography / Sam Pinkleton Production / Dutch National Opera, Amsterdam Trouble in Tahiti + Clemency 2018 Double bill World Premiere Dutch National Opera, Amsterdam <img width="1920" height="1143" width_o="1920" height_o="1143" data-src="https://freight.cargo.site/t/original/i/cca8f7d53a978256dc4021fd0a8bb17b36aee19d59139968fadfdb228d042f03/MOD_Trouble-in-TahitiMiguel-Lorenzo-y-Mikel-Ponce_LesArts--72.jpg" data-mid="233359190" border="0" src="https://freight.cargo.site/w/1000/i/cca8f7d53a978256dc4021fd0a8bb17b36aee19d59139968fadfdb228d042f03/MOD_Trouble-in-TahitiMiguel-Lorenzo-y-Mikel-Ponce_LesArts--72.jpg" /> <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/a215e7ae2ac1c6c1ff68475e121de2364515de616f348e9b208592c16131ba9d/18.03.19-4865-2Hans-van-den-Boogaard.jpg" data-mid="233359198" border="0" src="https://freight.cargo.site/w/1000/i/a215e7ae2ac1c6c1ff68475e121de2364515de616f348e9b208592c16131ba9d/18.03.19-4865-2Hans-van-den-Boogaard.jpg" /> BLACK GLOSSY POOL <img width="1920" height="1281" width_o="1920" height_o="1281" data-src="https://freight.cargo.site/t/original/i/8b72bd05effab3916aa396e15b3f23c2d3c02ae44f0148e3214ef195b91880b8/MOD_Trouble-in-TahitiMiguel-Lorenzo-y-Mikel-Ponce_LesArts--92.jpg" data-mid="233359191" border="0" src="https://freight.cargo.site/w/1000/i/8b72bd05effab3916aa396e15b3f23c2d3c02ae44f0148e3214ef195b91880b8/MOD_Trouble-in-TahitiMiguel-Lorenzo-y-Mikel-Ponce_LesArts--92.jpg" /> The black glossy pool bottom is the lack inside everyone of us, that we try to fill it up with food, alcohol, clothes, drugs, objects, that promise to fill you up, but instead empty yourself.&nbsp;This is the cause of our infinite emptiness but the lack is not the the void and it is impossible to fill it. <img width="1920" height="1104" width_o="1920" height_o="1104" data-src="https://freight.cargo.site/t/original/i/1028d408d73284c67aa0078cd8ec6bf700cd4146a311976c136edfff916fc09a/MOD_Trouble-in-TahitiMiguel-Lorenzo-y-Mikel-Ponce_LesArts--104.jpg" data-mid="233359192" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/1028d408d73284c67aa0078cd8ec6bf700cd4146a311976c136edfff916fc09a/MOD_Trouble-in-TahitiMiguel-Lorenzo-y-Mikel-Ponce_LesArts--104.jpg" /> LACK LACK LACK LACK <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/8edfbecf41bdbb666b8af3ec93181ec81e7fd57631cba36f6a02eabf9936b32c/MOD18.03.19-4984.jpg" data-mid="233359196" border="0" src="https://freight.cargo.site/w/1000/i/8edfbecf41bdbb666b8af3ec93181ec81e7fd57631cba36f6a02eabf9936b32c/MOD18.03.19-4984.jpg" /> Clemency 2018 Opera Forward Festival, Meervaart Theater, Amsterdam Composer / James MacMillan Conductor / Duncan WardProduction / Dutch National Opera, Amsterdam <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/80557d09cb8fac6ccefbd75bfe391a8bd61d3547a0f34eaf1b38d74bb70e5701/MOD-18.03.19-4979.jpg" data-mid="233359194" border="0" src="https://freight.cargo.site/w/1000/i/80557d09cb8fac6ccefbd75bfe391a8bd61d3547a0f34eaf1b38d74bb70e5701/MOD-18.03.19-4979.jpg" /> <img width="1920" height="1194" width_o="1920" height_o="1194" data-src="https://freight.cargo.site/t/original/i/fd17b675d85931f0919d2f87bd83fcd92ed566a81dc75225161b23eadab768e3/MOD-18.03.16-4815.jpg" data-mid="233359193" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/fd17b675d85931f0919d2f87bd83fcd92ed566a81dc75225161b23eadab768e3/MOD-18.03.16-4815.jpg" /> GIMME YOUR LIGHT <img width="1920" height="1268" width_o="1920" height_o="1268" data-src="https://freight.cargo.site/t/original/i/835819c5a24bb1210a65dc2482a4925c9dd21823a77608015ad2845f4a3a963d/MOD-18.03.19-5023-copia-copy.jpg" data-mid="233359195" border="0" src="https://freight.cargo.site/w/1000/i/835819c5a24bb1210a65dc2482a4925c9dd21823a77608015ad2845f4a3a963d/MOD-18.03.19-5023-copia-copy.jpg" /> Photo credit Trouble in Tahiti ©Miguel Lorenzo y Mikel Ponce - Valencia @miguellorenzophotographer Hans-van-den-Boogaard - Amsterdam ClemencyHans-van-den-Boogaard - Amsterdam https://elenazamparutti.com/Freitag-aus-Licht Sun, 18 May 2025 14:31:54 +0000 Elena Zamparutti copy https://elenazamparutti.com/Freitag-aus-Licht <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/e745a566581971e4af3f760fb3fea1c14aaf065a8d811feebda21b81c53f648e/Philarmonie-3.jpeg" data-mid="233359231" border="0" src="https://freight.cargo.site/w/1000/i/e745a566581971e4af3f760fb3fea1c14aaf065a8d811feebda21b81c53f648e/Philarmonie-3.jpeg" /> Freitag aus Licht 2022by Karlheinz Stockhausen Le Balcon, Orchestre d'enfants du Conservatoire à Rayonnement Régional de Lille, Chœur Notre-Dame de Paris Musical direction /&nbsp;Maxime PascalDirection &amp; scenography / Silvia Costa&nbsp;Lighting designer /&nbsp;Bernd PurkrabekAssistant director / Rosabel Huguet Dueñas Assistant scenography /&nbsp;Elena Zamparutti Costume designer /&nbsp;Bianca Deigner Assistant costumes /&nbsp;Domitile Guinchard Sound projection /&nbsp;Florent Derex Musical electronics /&nbsp;Augustin Muller &amp; Étienne Démoulin&nbsp; Conductor of the children's choir /&nbsp;Emilie Fleury Vocal coach /&nbsp;Alain Muller&nbsp; Sculptures and automates /&nbsp;Plastikart studio Eva /&nbsp;Jenny DavietElu / Iris ZerdoudLufa / Charlotte BlettonLudon / Antoin HL Kessel&nbsp;Kaino / Halidou Number Dudu Number Synthibird /&nbsp;Sarah Kim &amp; Haga Ratovo The Choir/ Emmanuelle Monier , Pauline Nachman, Marie Picaut, Michiko Takahashi, Léa Trommenschlager, Ayako Yukawa, Frédéric Albou, Arthur Cady, Bertrand Bontoux, Jean-Christophe Brizard, David Colosio, Florent Martin The dancers / Rosabel Huguet Dueñas (the arm), Suzanne Meyer (the mouth), Jean-Baptiste Plumeau (the leg). The demiurge children / Colette Verdier, Marin Rayon, Alexis Mazars, Stéphane Poulet, Edgar Cemin, Arsène Toy A production of Opéra de Lille &amp; Le Balcon. In co-production with the Festival d'Automne à Paris &amp; the Philharmonie de Paris photos / Simon Gosselin <img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/7a1fa92962cdc07b92c573228bc92d7df80c78da153d48455d6da161ef93f76d/Phialrmonie-9.jpeg" data-mid="233359229" border="0" src="https://freight.cargo.site/w/1000/i/7a1fa92962cdc07b92c573228bc92d7df80c78da153d48455d6da161ef93f76d/Phialrmonie-9.jpeg" /> <img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/131b35ed3ced8c8daa76d19c8e94bf4ede9d153546f4a9b69157b9d0ae47216f/Philarmonie-4.jpeg" data-mid="233359232" border="0" src="https://freight.cargo.site/w/1000/i/131b35ed3ced8c8daa76d19c8e94bf4ede9d153546f4a9b69157b9d0ae47216f/Philarmonie-4.jpeg" /> Freitag aus Licht is the opera of temptation: &nbsp;the temptation is to use the body as if it were a musical instrument, the temptation to turn one sound into another. &nbsp;A special interest for Karlheinz Stockhausen is the focus on the way sound moves through space, creating mobile sound in relief. <img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/1d7a0f5fc4cadf32488af7c7916c672066f195a4563b2da4af101f2f80251ec9/Philarmonie-6.jpeg" data-mid="233359234" border="0" src="https://freight.cargo.site/w/1000/i/1d7a0f5fc4cadf32488af7c7916c672066f195a4563b2da4af101f2f80251ec9/Philarmonie-6.jpeg" /> <img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/4391dc8b9e878d50b4a6d6b6750f2ab9b779d27a85d24203d1f42783e5e00413/Philarmonie-7.jpeg" data-mid="233359235" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/4391dc8b9e878d50b4a6d6b6750f2ab9b779d27a85d24203d1f42783e5e00413/Philarmonie-7.jpeg" /> <img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/a8599da69ecb26734e410ad84fca77fb13483960fb4c0a38bff6e79e72c8c6c6/Philarominie-8.jpeg" data-mid="233359238" border="0" src="https://freight.cargo.site/w/1000/i/a8599da69ecb26734e410ad84fca77fb13483960fb4c0a38bff6e79e72c8c6c6/Philarominie-8.jpeg" /> <img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/9a3a540be68307d7d7b51981b17ba886469c471c880abcbd9d07bd12cfeadc29/Philarmonie-2.jpeg" data-mid="233359230" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/9a3a540be68307d7d7b51981b17ba886469c471c880abcbd9d07bd12cfeadc29/Philarmonie-2.jpeg" /> <img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/fd624bf5ae936ef4de151dd225df72e41194e82bd9ea40abf10e5c00977dbd6f/Philarmonie.jpeg" data-mid="233359237" border="0" src="https://freight.cargo.site/w/1000/i/fd624bf5ae936ef4de151dd225df72e41194e82bd9ea40abf10e5c00977dbd6f/Philarmonie.jpeg" /> <img width="1600" height="899" width_o="1600" height_o="899" data-src="https://freight.cargo.site/t/original/i/50061c39a7eb0a3fab9426c2b38c639ef7fc1d2feeb53c6a55d2018f74e4208b/Philarmonie-5.jpeg" data-mid="233359233" border="0" src="https://freight.cargo.site/w/1000/i/50061c39a7eb0a3fab9426c2b38c639ef7fc1d2feeb53c6a55d2018f74e4208b/Philarmonie-5.jpeg" /> https://elenazamparutti.com/Like-flesh Sun, 18 May 2025 14:31:56 +0000 Elena Zamparutti copy https://elenazamparutti.com/Like-flesh <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/7b008a899c1a42c539b54d271a65aad8791f144747f035836c80ceada391723d/Like-Flesh---19-01-22---Simon-Gosselin-1_5000.jpg" data-mid="233359264" border="0" src="https://freight.cargo.site/w/1000/i/7b008a899c1a42c539b54d271a65aad8791f144747f035836c80ceada391723d/Like-Flesh---19-01-22---Simon-Gosselin-1_5000.jpg" /> Like flesh 2021Music / Sivan Eldar Libretto / Cordelia Lynn Musical direction &nbsp;/ Maxime PascalStage director and set designer / Silvia CostaVideo IA / Francesco D’Abbraccio Costume designer / Laura Dondoli Light designer / Andrea Sanson Computer music designer / Augustin Muller (IRCAM) Sound projection / Florent Derex Voical choaches / Alain Muller, Bianca Chillemi Assistant musical director / Richard Wilberforce Assistant director / Gabrielė Bakšytė Assistant set design and props / Elena Zamparutti Assistant set design / Alessio Valmori <img width="1920" height="1281" width_o="1920" height_o="1281" data-src="https://freight.cargo.site/t/original/i/0ecca54fce838fe9eb5a6ea908a64e6e1dd5767416f8cd5446e03e3bc99e52d5/Like-Flesh---19-01-22---Simon-Gosselin-33_5000.jpg" data-mid="233359267" border="0" src="https://freight.cargo.site/w/1000/i/0ecca54fce838fe9eb5a6ea908a64e6e1dd5767416f8cd5446e03e3bc99e52d5/Like-Flesh---19-01-22---Simon-Gosselin-33_5000.jpg" /> FLESH FLESH FLESH <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/afe878440bdf2bfcd77909abd7840a7233342743e0da08fe2e9be17df31aa5c7/Like-Flesh---19-01-22---Simon-Gosselin-57_5000.jpg" data-mid="233359268" border="0" src="https://freight.cargo.site/w/1000/i/afe878440bdf2bfcd77909abd7840a7233342743e0da08fe2e9be17df31aa5c7/Like-Flesh---19-01-22---Simon-Gosselin-57_5000.jpg" /> Winner of the 2021 FEDORA Opera Prize With La Femme, L’Arbre Helena Rasker Le Forestier, son mari William Dazeley L’Étudiante Juliette Allen La Forêt Adèle Carlier, Hélène Fauchère, Guilhem Terrail, Sean Clayton, René Ramos Premier, Florent Baffi Le Balcon ensemble instrumental and electronics Commissions by /&nbsp;Lille Opera, Montpellier National Opera, Lorraine National Opera, with support from DRAC Hauts-de-France (aide à l’écriture) and SACD Fonds de Création Lyrique Produced by / &nbsp;Operas of Lille, Montpellier, Nancy, IRCAM-Centre Pompidou, in collaboration with Le Balcon and Opera Ballet Vlaanderen (Antwerp), with additional support from enoa (Creative Europe Programme of the European Union) and the Camargo Foundation. Photos / Simon Gosselin <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/169d6e8bc1c83cf19713c3dc8a01ab16f883d4b5e78ca2599c11bb4c79bce45b/Like-Flesh---19-01-22---Simon-Gosselin-28_5000.jpg" data-mid="233359266" border="0" src="https://freight.cargo.site/w/1000/i/169d6e8bc1c83cf19713c3dc8a01ab16f883d4b5e78ca2599c11bb4c79bce45b/Like-Flesh---19-01-22---Simon-Gosselin-28_5000.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ffc6973f7ec6474330bf683812215ef2415d07ac0fa49afaacf485a16b037987/Like-Flesh---19-01-22---Simon-Gosselin-17_5000.jpg" data-mid="233359265" border="0" src="https://freight.cargo.site/w/1000/i/ffc6973f7ec6474330bf683812215ef2415d07ac0fa49afaacf485a16b037987/Like-Flesh---19-01-22---Simon-Gosselin-17_5000.jpg" /> Inspired by Ovid’s Metamorphoses, Like flesh draws on modern environmental science to create a radical and passionate new myth about our broken relationship with an environment in crisis. Suffering in an unhappy marriage, Woman yearns for a world beyond the boundaries of flesh and an existence outside of the conventions of human society. A secret young Lover’s desire instigates an explosive metamorphosis, and Woman finds perfect release as a tree. But the world is a dark place for trees as well as humans, and deep in the forest, the Lover and a Forester lay claim to a body of wood and leaf, one for money and one for love. https://elenazamparutti.com/Interspace-walking Sun, 18 May 2025 14:31:57 +0000 Elena Zamparutti copy https://elenazamparutti.com/Interspace-walking <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/71c4455128da913d33a2639490161c6108896b0c4ce69bf87a4bd262b6e2ffab/Interspace.jpg" data-mid="233359299" border="0" src="https://freight.cargo.site/w/1000/i/71c4455128da913d33a2639490161c6108896b0c4ce69bf87a4bd262b6e2ffab/Interspace.jpg" /> Interspace walking 2021 Cortile di Fabbrica Alta Schio - Schio - Conversazioni Festival 2021 Performance design /&nbsp;Elena Zamparutti + Francesco Cocco Coreography / Giovanna Garzotto + Cristina Bacilieri Pulga + Milly Cuman Performers / Dance Well dancers - parkinson’s research and movement&nbsp; Special thanks to Prof. Filippo Ferreri for the introduction to the work of Olinto De Pretto Part of the 2021 Culture Call of the Municipality of Schio / Schio cultura Support / Fondazione Teatro Civico di Schio + Festival Conversazioni + Dance Well + Casa CapraPhotos Luigi de Fraenza <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/49c5e8fe43f019fa4aa0db08870c735f18b20f5c2eeff77f7515a1afc9be9042/Interspace-4.jpg" data-mid="233359297" border="0" src="https://freight.cargo.site/w/1000/i/49c5e8fe43f019fa4aa0db08870c735f18b20f5c2eeff77f7515a1afc9be9042/Interspace-4.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/775d84ceb8b5694a24cd9db7a7132f8b40639e359c644119604308eded0906eb/Interspace-2.jpg" data-mid="233359296" border="0" src="https://freight.cargo.site/w/1000/i/775d84ceb8b5694a24cd9db7a7132f8b40639e359c644119604308eded0906eb/Interspace-2.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b79de8a730428d711d082207b54cc51955e56386cd89f706c55d995318cfcf11/Interspae-3.jpg" data-mid="233359300" border="0" src="https://freight.cargo.site/w/1000/i/b79de8a730428d711d082207b54cc51955e56386cd89f706c55d995318cfcf11/Interspae-3.jpg" /> I MET PIERO AT THE RAILWAY STATION IN 1989 <img width="2410" height="1718" width_o="2410" height_o="1718" data-src="https://freight.cargo.site/t/original/i/3b5353506b8914f054dcb57b5ad07fbc47eb377aa8fdd5f12a312950a5470597/Interspace-5.jpg" data-mid="233359298" border="0" src="https://freight.cargo.site/w/1000/i/3b5353506b8914f054dcb57b5ad07fbc47eb377aa8fdd5f12a312950a5470597/Interspace-5.jpg" /> "Heat, light, magnetism, electricity, attraction and in general all the forms under which energy manifests itself, they would not exist if not as a derivative of the innate force of this&nbsp;universal fluid, transformed by friction and by the multiple actions within the material&nbsp;aggregates." Olinto de Pretto Hypothesis of ether in the life of the universe Schio, 1st April 1903. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6860d60fcd935c9957263ea1d3e9de840c06cb67a7483fdf5e914c5a6c7a2b91/04.jpg" data-mid="233359294" border="0" src="https://freight.cargo.site/w/1000/i/6860d60fcd935c9957263ea1d3e9de840c06cb67a7483fdf5e914c5a6c7a2b91/04.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/da242b0fb97dd77d4c275b61d440f0314f67071676bfdb230226aaa619ecf9e8/10.jpg" data-mid="233359295" border="0" src="https://freight.cargo.site/w/1000/i/da242b0fb97dd77d4c275b61d440f0314f67071676bfdb230226aaa619ecf9e8/10.jpg" /> “Hypothesis of the ether in the life of the universe” is the result of the research of the physicist Olinto De Pretto presented at the Reale Istituto Veneto di Scienze, Lettere e Arti in&nbsp;1903.The performance, created in collaboration with Dance Well, originates from the desire to approach De Pretto's work from a non-scientific but poetic point of view: to extrapolate&nbsp;from the language a literary inspiration that allows us to create a situation in which the relationships&nbsp;between matter and energy are translated in human movements, relationships&nbsp;and emotions. At the same time we want to give voice to a written trace of the past of the local territory that has dealt with a central topic to the research of the last century. These contents, even&nbsp;if they are outdated or proven to be erroneous from a scientific point of view, become material&nbsp;rich in potential to seek alternative and unexpected ways in which to relate to each&nbsp;other, to one's past and to the future. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b4315420bea676492c339dfb8c9c20af954731072f33c29b5a8a86935281b09c/Interspae-6.jpg" data-mid="233359301" border="0" src="https://freight.cargo.site/w/1000/i/b4315420bea676492c339dfb8c9c20af954731072f33c29b5a8a86935281b09c/Interspae-6.jpg" /> https://elenazamparutti.com/Leftover Sun, 18 May 2025 14:31:59 +0000 Elena Zamparutti copy https://elenazamparutti.com/Leftover <img width="2023" height="1349" width_o="2023" height_o="1349" data-src="https://freight.cargo.site/t/original/i/e2841344705ece31742b6c9bf36a3fa9330990549b047004dc127744e79595b0/187569050_5564502100290909_9141325850458463074_n.jpg" data-mid="233359318" border="0" src="https://freight.cargo.site/w/1000/i/e2841344705ece31742b6c9bf36a3fa9330990549b047004dc127744e79595b0/187569050_5564502100290909_9141325850458463074_n.jpg" /> Leftover 2020Fashion Designer / Roberta MeolaPhotography / Cristina SalviLocation + Set creative director / Elena Zamparutti Model / Denise Campbell Make up / Giada Stocco&nbsp; Location / Liceo Artistico Enrico e Umberto Nordio, Trieste &gt;&nbsp;Vogue Italia / Article 2021 <img width="1183" height="1772" width_o="1183" height_o="1772" data-src="https://freight.cargo.site/t/original/i/e94038e75b7d0edeb5c1d42f9d55c7e4e5d7c3a36e0e7de63d9f29358edc0b7f/186553579_5564502140290905_3350689043049243572_n.jpg" data-mid="233359320" border="0" src="https://freight.cargo.site/w/1000/i/e94038e75b7d0edeb5c1d42f9d55c7e4e5d7c3a36e0e7de63d9f29358edc0b7f/186553579_5564502140290905_3350689043049243572_n.jpg" /> <img width="1183" height="1772" width_o="1183" height_o="1772" data-src="https://freight.cargo.site/t/original/i/e0c6dff7fb2a19fe7bb3f0a2d7c34bbb60a4c6a135179150ff1f7ce73df56149/186950408_5564500720291047_6594955509414451033_n.jpg" data-mid="233359322" border="0" src="https://freight.cargo.site/w/1000/i/e0c6dff7fb2a19fe7bb3f0a2d7c34bbb60a4c6a135179150ff1f7ce73df56149/186950408_5564500720291047_6594955509414451033_n.jpg" /> ZERO-WASTE MANIFESTO <img width="1578" height="1126" width_o="1578" height_o="1126" data-src="https://freight.cargo.site/t/original/i/f1e8d85a037069ba0270871bb78d01c6f010e07a957f4d1be1a77c835d6697f8/187187758_5564502300290889_5778705901564382583_n.jpg" data-mid="233359324" border="0" src="https://freight.cargo.site/w/1000/i/f1e8d85a037069ba0270871bb78d01c6f010e07a957f4d1be1a77c835d6697f8/187187758_5564502300290889_5778705901564382583_n.jpg" /> <img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/71181d699331ecadf786713d8055b7605d38640f6b2cdb644d65f14f958e6159/187065825_5564501200290999_8340643779980844194_n.jpg" data-mid="233359323" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/71181d699331ecadf786713d8055b7605d38640f6b2cdb644d65f14f958e6159/187065825_5564501200290999_8340643779980844194_n.jpg" /> “Tailoring project characterized by conscious processing through upcycling and zero-waste pattern cutting. The work focuses on recovering clothes and materialscollected, aiming to enrich them with a new shape andidentity characterized by unique garments with non-replicable aesthetics. The silhouettes are simple and to create volumes I usedcoulisse or rouches, simple patterns that employ thewhole fabric area to reduce waste during the cuttingphase. The traditional fashion concept intends production as astep where fabric orders are done following the drawingand design requirements. On the contrary, the Leftover uniqueness consists of conceiving a collection makingthe best of the quantity and types of textiles available. So every design is made in proportion to raw materials already existing.” Roberta Meola <img width="1187" height="1778" width_o="1187" height_o="1778" data-src="https://freight.cargo.site/t/original/i/1e9e771d37b3cca02381b7301af497e459df70de10b8673a18064aa1b657a11c/187609668_5564500366957749_5267245842670996424_n.jpg" data-mid="233359326" border="0" src="https://freight.cargo.site/w/1000/i/1e9e771d37b3cca02381b7301af497e459df70de10b8673a18064aa1b657a11c/187609668_5564500366957749_5267245842670996424_n.jpg" /> <img width="1187" height="1778" width_o="1187" height_o="1778" data-src="https://freight.cargo.site/t/original/i/8bf1ef11bc12412f475698ae477ec755c9d51b33747d2113e4838170fe2687ff/186498444_5564500413624411_491388662816929803_n.jpg" data-mid="233359319" border="0" src="https://freight.cargo.site/w/1000/i/8bf1ef11bc12412f475698ae477ec755c9d51b33747d2113e4838170fe2687ff/186498444_5564500413624411_491388662816929803_n.jpg" /> https://elenazamparutti.com/Walk Sun, 18 May 2025 14:32:00 +0000 Elena Zamparutti copy https://elenazamparutti.com/Walk <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/c4bed9ac80036d7bca16179b28d890655866add93ada472bec5587e6e3fa07e1/WALK--0-PILOTA-26-09-foto-BENEDETTA-PORCELLI-11.jpg" data-mid="233359328" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/c4bed9ac80036d7bca16179b28d890655866add93ada472bec5587e6e3fa07e1/WALK--0-PILOTA-26-09-foto-BENEDETTA-PORCELLI-11.jpg" /> Walk! # 0 Pilota &nbsp; 2020 Bosco Bazzoni / Basovizza / Trieste&nbsp; Performance design / Elena Zamparutti + Francesco CoccoPerformers / Nina Alexopoulou + Chiara Gerion + Raffaele Moratto + Delphi Morpurgo + Michael PetronioContributors / Ispettore Diego Masiello + Maresciallo Anastasia PuriTech + audience welcoming / Andrea Albrizio, Paola Cantarutti, Michele Del Bono, Alberto Nedoh, Bruno Pittini, Benedetta Porcelli, Marco Rossetti Cosulich, Giulio Sancin, Arianna Simonetto, Vittoria Spinelli, Tommaso Suttora Production / terrafine in co-organization with Comune di TriestePhotos / Benedetta Porcelli + Alba Zari <img width="1796" height="1264" width_o="1796" height_o="1264" data-src="https://freight.cargo.site/t/original/i/a69153544da045013b2b5a66d14406d41f66282796572ec81d031d44e6b887f7/Walk.jpg" data-mid="233359343" border="0" src="https://freight.cargo.site/w/1000/i/a69153544da045013b2b5a66d14406d41f66282796572ec81d031d44e6b887f7/Walk.jpg" /> They're named black holes because they are related to human fears of being destroved or gobbled up. I don't have fears of being thrown into them. I understand them. I feel in a sense that I am their master. Stephen Hawking <img width="3888" height="2592" width_o="3888" height_o="2592" data-src="https://freight.cargo.site/t/original/i/69594fcdcadfb1c3234ff3b692e30ebbdee8bc9e1e0732980af91b8917a95885/WALK--0-PILOTA-26-09-foto-BENEDETTA-PORCELLI-21.jpg" data-mid="233359331" border="0" src="https://freight.cargo.site/w/1000/i/69594fcdcadfb1c3234ff3b692e30ebbdee8bc9e1e0732980af91b8917a95885/WALK--0-PILOTA-26-09-foto-BENEDETTA-PORCELLI-21.jpg" /> <img width="1009" height="1514" width_o="1009" height_o="1514" data-src="https://freight.cargo.site/t/original/i/1f6d838b9101f4d6289997cc374aa3a13c412b4b80f4b5b646071097b19cf082/WALK--0-PILOTA-27-09-foto-ALBA-ZARI-13.jpg" data-mid="233359334" border="0" src="https://freight.cargo.site/w/1000/i/1f6d838b9101f4d6289997cc374aa3a13c412b4b80f4b5b646071097b19cf082/WALK--0-PILOTA-27-09-foto-ALBA-ZARI-13.jpg" /> <img width="942" height="1413" width_o="942" height_o="1413" data-src="https://freight.cargo.site/t/original/i/489078597c114d54f1643f633dd62b335fda0b16e5d615a494f2c3577795ba0f/WALK--0-PILOTA-27-09-foto-ALBA-ZARI-12.jpg" data-mid="233359333" border="0" src="https://freight.cargo.site/w/942/i/489078597c114d54f1643f633dd62b335fda0b16e5d615a494f2c3577795ba0f/WALK--0-PILOTA-27-09-foto-ALBA-ZARI-12.jpg" /> The act of walking in nature has been the first way the human kind used to know and to shape the world before architecture. The action of walking has double value of reading and writing the space. The human body can be considered both as an instrument of percention and as an instrument of creation. A group of strangers was invited to get out from the city and reach an outdoor space, surrounded by nature. In this place, without the boundaries of everyday life, the group lived a pertormative experience of walk, crossing, exploration, interaction and sharing of thoughts that leads to consciously shape and expand the perception of space: both of oneself or someone else. <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/d6abb52096fe4c3223deef2b4a098ed309d514bae75b96b20700fc4c067f0502/WALK--0-PILOTA-26-09-foto-BENEDETTA-PORCELLI-8.jpg" data-mid="233359329" border="0" src="https://freight.cargo.site/w/1000/i/d6abb52096fe4c3223deef2b4a098ed309d514bae75b96b20700fc4c067f0502/WALK--0-PILOTA-26-09-foto-BENEDETTA-PORCELLI-8.jpg" /> <img width="901" height="924" width_o="901" height_o="924" data-src="https://freight.cargo.site/t/original/i/a398d3f1de1ad41c289dcee55662f16e408b113f7f03fd892fb98c6e96f42c23/121989968_130423905484843_7405746897837394731_n.jpg" data-mid="233359336" border="0" src="https://freight.cargo.site/w/901/i/a398d3f1de1ad41c289dcee55662f16e408b113f7f03fd892fb98c6e96f42c23/121989968_130423905484843_7405746897837394731_n.jpg" /> L’unica architettura che attraversava il mondo Paoleolitico era il percorso, il primo segno antropico capace di insinuare un ordine artificiale nei territori del caos naturale. Francesco Careri, Walkspace <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/7618ac80f3ab38db072fe03c2ba2e0375da2482b324a30125e09e3cdde706727/WALK--0-PILOTA-27-09-foto-ALBA-ZARI-71.jpg" data-mid="233359332" border="0" src="https://freight.cargo.site/w/1000/i/7618ac80f3ab38db072fe03c2ba2e0375da2482b324a30125e09e3cdde706727/WALK--0-PILOTA-27-09-foto-ALBA-ZARI-71.jpg" /> ATTRAVERSARE UNO SPAZIO È IMPORTANTE QUANTO LA SUA CONTEMPLAZIONE <img width="1080" height="1620" width_o="1080" height_o="1620" data-src="https://freight.cargo.site/t/original/i/de0eba561e1f065829350477df67be39a4085209542a2bbd5ec9740da08fdeff/WALK--0-PILOTA-27-09-foto-ALBA-ZARI-5.jpg" data-mid="233359339" border="0" src="https://freight.cargo.site/w/1000/i/de0eba561e1f065829350477df67be39a4085209542a2bbd5ec9740da08fdeff/WALK--0-PILOTA-27-09-foto-ALBA-ZARI-5.jpg" /> <img width="1080" height="1622" width_o="1080" height_o="1622" data-src="https://freight.cargo.site/t/original/i/0311219d38d08b5a6a40988fb266b1e06380dff87e970f83771e9fd4e0e8ab75/WALK--0-PILOTA-27-09-foto-ALBA-ZARI-9.jpg" data-mid="233359342" border="0" src="https://freight.cargo.site/w/1000/i/0311219d38d08b5a6a40988fb266b1e06380dff87e970f83771e9fd4e0e8ab75/WALK--0-PILOTA-27-09-foto-ALBA-ZARI-9.jpg" /> <img width="1080" height="1620" width_o="1080" height_o="1620" data-src="https://freight.cargo.site/t/original/i/54afb5f2b1a830ddaea74bcd4389bd048342e1d9cdf5613213f64d0c66613240/WALK--0-PILOTA-27-09-foto-ALBA-ZARI-8.jpg" data-mid="233359341" border="0" src="https://freight.cargo.site/w/1000/i/54afb5f2b1a830ddaea74bcd4389bd048342e1d9cdf5613213f64d0c66613240/WALK--0-PILOTA-27-09-foto-ALBA-ZARI-8.jpg" /> https://elenazamparutti.com/Push-push-baby Sun, 18 May 2025 14:32:01 +0000 Elena Zamparutti copy https://elenazamparutti.com/Push-push-baby <img width="1600" height="1024" width_o="1600" height_o="1024" data-src="https://freight.cargo.site/t/original/i/9b96bc7c5dfe8116beed120287e7accb8bd59934e4d98b03665c7d12539181aa/Zamparutti_Cocco-Push-Push-Baby-6.jpg" data-mid="233359358" border="0" src="https://freight.cargo.site/w/1000/i/9b96bc7c5dfe8116beed120287e7accb8bd59934e4d98b03665c7d12539181aa/Zamparutti_Cocco-Push-Push-Baby-6.jpg" /> Push, push baby! 2019 Náměstí Jana Palacha, Prague, Czech Republic Performance design / Elena Zamparutti + Franceasco CoccoPerformers / Kierstan DeVoe, Nirav Moro, Tessa Bohling De Gree, Federico Pian, Sára Jan Märcová, Francesco Cocco, Elena Zamparutti Prague Quadrennial of Performance Design and Space / Studio Festival Support / Istituto italiano di cultura di PragaPhotos / Gioele Peressini <img width="720" height="960" width_o="720" height_o="960" data-src="https://freight.cargo.site/t/original/i/56d26e211615fbf6d5d261dc849adafe7e3ce9673c2570559c35172ac132318b/Zamparutti_Cocco-Push-Push-Baby-1.jpg" data-mid="233359353" border="0" src="https://freight.cargo.site/w/720/i/56d26e211615fbf6d5d261dc849adafe7e3ce9673c2570559c35172ac132318b/Zamparutti_Cocco-Push-Push-Baby-1.jpg" /> <img width="720" height="960" width_o="720" height_o="960" data-src="https://freight.cargo.site/t/original/i/b0b9dcb4dfdfa375df6e74e9feb58171b5e6c49ee258a10f5d23f3b16e53ef52/Zamparutti_Cocco-Push-Push-Baby-2.jpg" data-mid="233359354" border="0" src="https://freight.cargo.site/w/720/i/b0b9dcb4dfdfa375df6e74e9feb58171b5e6c49ee258a10f5d23f3b16e53ef52/Zamparutti_Cocco-Push-Push-Baby-2.jpg" /> LOVE AND CELEBRATE YOUR IDEAS <img width="1506" height="854" width_o="1506" height_o="854" data-src="https://freight.cargo.site/t/original/i/019dd82801787fa4e2cd35afda8e256122e7f75ef7fcf030d9d23de3177b36b4/Zamparutti_Cocco-Push-Push-Baby-5.jpg" data-mid="233359357" border="0" src="https://freight.cargo.site/w/1000/i/019dd82801787fa4e2cd35afda8e256122e7f75ef7fcf030d9d23de3177b36b4/Zamparutti_Cocco-Push-Push-Baby-5.jpg" /> As stage designers our creative processes are constituted by points of magic intuition and exhausting routes of reworking: moments of joy and satisfaction and eternities of instability and repetition, with the sensation of carrying a gift that is also a weight. Our destination is the theatre itself but we often can get lost in the process. As the rock of Sisyphus, our ideas seem to go up and down multiple times while we push them to our destination. And also every time we “reach the top” and realise one idea, we’ll have to fall again back to the bottom of the process for the next one. As Camus says about the condition of Sisyphus, even our apparently vane fight to the top, to the final joy, can make our life a joyous pro- cess itself. As Sisyphus fights his way to the top, believing in his act, even if the Gods are against him, we face the challenge to create something non-existing every time, and the fight to the top itself can fill our human hearts. Is, as Camus says, our vane journey to the top enough to fill our human hearts? The Prague Quadrennial of Performance Design and Space was established in 1967 to bring the best of design for performance, scenography, and theatre architecture to the front line of cultural activities to be experienced by professional and emerging artists as well as the general public. <img width="857" height="960" width_o="857" height_o="960" data-src="https://freight.cargo.site/t/original/i/103e0ac47ecfef8d0e84ded6e6edcb149048c395ab0de90ec7b37849eca1c633/Zamparutti_Cocco-Push-Push-Baby-3.jpg" data-mid="233359355" border="0" src="https://freight.cargo.site/w/857/i/103e0ac47ecfef8d0e84ded6e6edcb149048c395ab0de90ec7b37849eca1c633/Zamparutti_Cocco-Push-Push-Baby-3.jpg" /> <img width="860" height="960" width_o="860" height_o="960" data-src="https://freight.cargo.site/t/original/i/c4790fb25d664b6f21d91c7ff9ebd62d1b8259b4628a82d239e9c93596eb577a/Zamparutti_Cocco-Push-Push-Baby-8.jpg" data-mid="233359359" border="0" src="https://freight.cargo.site/w/860/i/c4790fb25d664b6f21d91c7ff9ebd62d1b8259b4628a82d239e9c93596eb577a/Zamparutti_Cocco-Push-Push-Baby-8.jpg" /> https://elenazamparutti.com/Drosilla-e-Nesso Sun, 18 May 2025 14:32:02 +0000 Elena Zamparutti copy https://elenazamparutti.com/Drosilla-e-Nesso <img width="4361" height="3194" width_o="4361" height_o="3194" data-src="https://freight.cargo.site/t/original/i/842aff926a0349734409cee62faea26a180fb3b69337def0fc1f6a175ffeba8d/caio.jpg" data-mid="233359403" border="0" src="https://freight.cargo.site/w/1000/i/842aff926a0349734409cee62faea26a180fb3b69337def0fc1f6a175ffeba8d/caio.jpg" /> Drosilla e NessoIntermezzi buffi 201973ma STAGIONE DEL TEATRO LIRICO SPERIMENTALE DI SPOLETO Composer / Leonardo Leo Libretto / Carlo De Palma Edition curated by / Lorenzo Tunesi In collaboration with / il Centro Studi Pergolesi – Università degli Studi di Milano Conductor / Pierfrancesco Borrelli Maestro al cembalo /&nbsp;Livia GuarinoStage director / Davide Gasparro Set designer / Elena Zamparutti Costum designer / Clelia De Angelis Light designer / Eva Bruno <img width="2448" height="1686" width_o="2448" height_o="1686" data-src="https://freight.cargo.site/t/original/i/3acd1fef2712d1781d15212a530d8262546994b71770604e2005412cd3cff578/Senza-nome.jpg" data-mid="233359407" border="0" src="https://freight.cargo.site/w/1000/i/3acd1fef2712d1781d15212a530d8262546994b71770604e2005412cd3cff578/Senza-nome.jpg" /> <img width="2410" height="1690" width_o="2410" height_o="1690" data-src="https://freight.cargo.site/t/original/i/531dc881ed597b2c69f9341bb2a26a8653f0f5a2f0edb7696aca038dec555a99/flsahdfiphas.jpg" data-mid="233359404" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/531dc881ed597b2c69f9341bb2a26a8653f0f5a2f0edb7696aca038dec555a99/flsahdfiphas.jpg" /> <img width="2048" height="1024" width_o="2048" height_o="1024" data-src="https://freight.cargo.site/t/original/i/9fc9c301d84e573dafff68e0ceca0d908c09195b2ae0c3dc2af43e6fa0d6d0b1/e73860_0258ad2e2871467b95d2251f3daa38d0mv2_d_2048_2048_s_2.jpg" data-mid="233359405" border="0" src="https://freight.cargo.site/w/1000/i/9fc9c301d84e573dafff68e0ceca0d908c09195b2ae0c3dc2af43e6fa0d6d0b1/e73860_0258ad2e2871467b95d2251f3daa38d0mv2_d_2048_2048_s_2.jpg" />